Artworks left to right: Miriam Schapiro, Double Rose , 1978; Merikokeb Berhanu, Untitled LXXIII , 2021; Sonia Gomes, Sol Maior , 2023; Sonia Gomes, Artérias (série tela- corpo) , 2022; Françoise Grossen, Contact III , 1977; Elizabeth Murray, Jo
Artworks left to right: Emma Amos, Star , 1982; Allison Katz, The Other Side , 2021, Laura Owens, Untitled , 2016
Artworks left to right: Janet Sobel, Untitled , ca. 1946; Sarah Sze Crisscross , 2021
Artworks left to right: Joan Mitchell, Untitled , 1992; Mary Weatherford, Light Falling Like a Broken Chain; Paradise , 2021; Aria Dean, Little Island/Gut Punch , 2021
Artworks left to right: Aria Dean, Little Island/Gut Punch , 2021; Lorna Simpson, Ice 11 . 2018; Joan Snyder, Untitled , 1974; Julie Mehretu, Among the Multitude VI , 2020-2022
Artworks left to right: Joan Snyder, Untitled , 1974; Aria Dean, Little Island/Gut Punch , 2021; Julie Mehretu, Among the Multitude VI , 2020-2022; Laura Owens, Untitled , 2016; Joan Mitchell, Untitled , 1992
Artworks left to right: Pat Steir, For Philadelphia Three , 2013; Helen Pashgian, Untitled (orange) , 2009; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//] , 2014; Olga de Amaral, Alquimia Plata 6(B) , 1995; Jenny Holzer, TOP SECRE
Artworks left to right: Olga de Amaral, Alquimia Plata 6(B) , 1995; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//] , 2014; Jenny Holzer, TOP SECRET ENDGAME , 2019; Andra Ursuţa, Canopic Demijohn , 2021, Helène Aylon, First Coral ,
Artworks left to right: Mary Corse, Untitled (White Grid, Horizontal Strokes) , 1969; Lenore Tawney, Inquisition , 1961; Pat Steir, For Philadelphia Three , 2013
Artworks left to right: Amy Sillman, Radiator , 2021; Simone Leigh, Stick , 2019; Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Rachel Jones, SMIIILLLLEEEE , 2021
Artworks left to right: Rachel Jones, SMIIILLLLEEEE , 2021; Carrie Moyer, Four Dreams In An Open Room , 2013; Simone Leigh, Stick , 2019; Jennifer Bartlett, At Sea , 1979
Artworks left to right: Carrie Moyer, Four Dreams In An Open Room , 2013; Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019
Artworks left to right: Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019
Artworks left to right: Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019; Amy Sillman, , 2021
Artworks left to right: Jutta Koether, Berlin Boogie #11 , 2021; Lucy Bingo, Pattern to Joseph’s Coat , ca. late 1960s; Jacqueline Humphries, [//] , 2014; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Weddi
Artworks left to right: Mary Weatherford, Light Falling Like a Broken Chain; Paradise , 2021; Jutta Koether, Berlin Boogie #11 , 2021; Lucy Bingo, Pattern to Joseph’s Coat , ca. late 1960s; Jacqueline Humphries, [//] , 2014
Artworks left to right: Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Virginia Jaramillo, Infraction IV , 1970; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Ma
Artworks left to right: Mary Heilmann, San Francisco (Day) , 1990; Mary Heilmann, San Francisco (Night) , 1990; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Man , 1974; Anicka Yi, ̧W†RRñ†0 , 2
Artworks left to right: Jacqueline Humphries, [//] , 2014; Mary Heilmann, San Francisco (Day) , 1990; Mary Heilmann, San Francisco (Night) , 1990
Artworks left to right: Christina Quarles, Meet in tha Middle , 2018; Joan Semmel, Horizons , 1981; Carol Bove, The Chevaliers , 2021; Maria Lassnig, Die grune Malerin (The Green Paintress) , 2000; Dana Schutz, Umbrella Man , 2017; Cecily Brown,
Artworks left to right: Maria Lassnig, Die grune Malerin (The Green Paintress) , 2000; Dana Schutz, Umbrella Man , 2017; Cecily Brown, The Demon Menagerie , 2019–20; Jenna Gribbon, You, blinded by M , 2022; Sheree Hovesepian, Radio , 2022
Artworks left to right: Tschabalala Self, Sisters , 2021; Firelei Báez, For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas , 2018; Lynette Yiadom-Boakye, Afterword , 2019
Artworks left to right: Jenna Gribbon, You, blinded by M , 2022; Barbara Chase-Riboud, Malcom X #17 , 2016; Dana Schutz, Umbrella Man , 2017
Artworks left to right: Dana Schutz, Umbrella Man , 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Françoise Grossen, Contact III , 1977; Tschabalala Self, Sisters , 2021
Artworks left to right: Barbara Chase-Riboud, Malcom X #17 , 2016; Dana Schutz, Umbrella Man , 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Françoise Grossen, Contact III , 1977; Tschabalala Self, Sisters , 2021
Artworks left to right: Barbara Chase-Riboud, Malcom X #17 , 2016; Dana Schutz, Umbrella Man , 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Françoise Grossen, Contact III , 1977; Tschabalala Self, Sisters , 2021
Artworks left to right: Elizabeth Murray, Joanne in the Canyon , 1990-91; Françoise Grossen, Contact III , 1977; Kay WalkingStick, Red Painting/Red Person , 1976; Naudline Pierre, A Timely Rescue , 2019-2020; Pinaree Sanpitak, The Body and The G
Artworks left to right: Naudline Pierre, A Timely Rescue , 2019-2020; Pinaree Sanpitak, The Body and The Gold Breast , 2021; Portia Zvavahera, Crying Belly , 2021; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023
Artworks left to right: Joyce Scott, Harriet's Quilt , 2016–22; Jadé Fadojutimi, Inside My Shell , 2018; Suzanne Jackson, Cut / Slip for Flowers , 2020
Artworks left to right: Sheila Hicks, Taxco , ca. 1970s; Miriam Schapiro, Double Rose , 1978; Merikokeb Berhanu, Untitled LXXIII , 2021; Sonia Gomes, Sol Maior , 2023; Sonia Gomes, Artérias (série tela- corpo) , 2022
Artworks left to right: Elizabeth Talford Scott, Save the Babies , 2022; Jaune Quick-to-See Smith, In the Future Map , 2021; Kay WalkingStick, Red Painting/Red Person , 1976; Rose B. Simpson, Counterculture B , 2022; Joyce Scott, Harriet's Quilt
Artworks left to right: Jaune Quick-to-See Smith, In the Future Map , 2021; Kay WalkingStick, Red Painting/Red Person , 1976; Sherrie Levine, Chair Seat: 6 , 1986; Rose B. Simpson, Counterculture B , 2022; Marcia Haifa, 176. December 1967 from t
Artworks left to right: Marie Watt, Companion Species (First and Last) , 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Elizabeth Talford Scott, Save the Babies , 2022; Jaune Quick-to-See Smith, In the Future Map , 2021; Kay WalkingSti
Artworks left to right: Virginia Jaramillo, Infraction IV , 1970; Marie Watt, Companion Species (First and Last) , 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Mary Grigoriadis, Cotton Stockings , 1973
Artworks left to right: Marie Watt, Companion Species (First and Last) , 2023; Zarina Hashimi, Tasbih , 2008; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Mary Grigoriadis, Cotton Stockings , 1973
Artworks left to right: Joyce Scott, Harriet's Quilt , 2016–22; Jadé Fadojutimi, Inside My Shell , 2018; Suzanne Jackson, Cut / Slip for Flowers , 2020; Magdalene Odundo, Untitled Vessel, Symmetrical Series , 2020; Ceramic works by Toshiko Takaez
Artworks left to right: Trude Guermonprez, Untitled (Space Hanging) , ca. 1965; Etel Annan, Untitled , 2015; Magdalene Odundo, Untitled Vessel, Symmetrical Series , 2020; Ceramic works by Toshiko Takaezu; Judith Scott, Untitled , 1992; Kay Sekima

Making Their Mark Exhibition Tour

Curated by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator of High Line Art and Curator of the 59th International Art Exhibition at the Venice Biennale, Making Their Mark presents the first public viewing of the Shah Garg Collection: a groundbreaking body of work by women collected by Komal Shah and Gaurav Garg. The touring exhibition champions the lives and work of women artists, bringing into vibrant relief their intergenerational relationships, formal and material breakthroughs, and historical impact.

CURRENT

St. Louis
Mildred Lane Kemper Art Museum
at Washington University in St. Louis
September 12, 2025—January 5, 2026

PAST

New York
548 West 22nd Street, New York City
November 2, 2023—March 23, 2024

Berkeley
Berkeley Art Museum and Pacific Film Archive
October 27, 2024—April 20, 2025

Touring Schedule

UPCOMING

Washington D.C.
National Museum of Women in the Arts
February 27—July 26, 2026

Tempe, Arizona
Arizona State University Art Museum
2027

Artists

Making Their Mark
Art by Women in the Shah Garg Collection

Edited by Mark Godfrey and Katy Siegel, this book explores the bold vision and vast range of achievements of 136 women artists drawn from the Shah Garg Collection.

Order 
Also available through bookshop.org and artbook.com